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This week
Monday 06 September, 6.30pm at the Academy Cinema
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OSS117: Cairo, Nest of Spies More…

OSS 117: Le Caire, nid d'espions, Michel Hazanavicius, France, 2006. 99 mins, DV. M offensive language, sexual references. In French with English subtitles

Fabled French special agent OSS 117 aka Bonisseur de la Bath mixes espionage and incompetence in this hilariously straight-faced spy movie spoof. Watch the trailer Time Out review
AFS thanks 95bFM

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Welcome
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Auckland Film Society – taking you further into filmTen reasons to join Film Society 2010

AFS screens at the Academy Cinema, 44 Lorne St, Auckland City, Mondays at 6:30 pm, March – October (except public holidays).

Our 2010 programme features special screenings of works from Norman McLaren, Emir Kusturica and Guy Maddin, along with recent features from France and Germany, a look at the cinema of Iran, documentaries, classics and contemporary cinema from home and abroad.

• Share the big-screen experience with us
• Exciting cinema that pushes the boundaries
• See films you may never have heard of – you’ll be surprised how much you enjoy them
• Weekly screenings give you time to reflect and digest
• Guest speakers and Q&A with filmmakers and film specialists
• Exceptional value – a full membership subscription works out at only $5.50 a film (even less with discounted membership)

Contractual requirements mean most AFS screenings are Members Only. We have non-commercial screening rights for most films, which means no ticket sales.

It's easy to join and great value, too.
Pay your membership subscription, then see our films for FREE.
Fill in a membership form and join by mail or join at the AFS desk in the cinema lobby before any AFS screening.
Find out about our 2010 special membership offers here

Contact Auckland Film Society

Film Society 2010 – NZ Federation of Film Societies website
Full details for the Film Society 2010 Season at every Film Society around the country

Film Society – Celebrating 60 years

Auckland Film Society 2010 Season is presented with financial assistance from the New Zealand Film Commission and with the generous support of the National Film Board of Canada, the Embassy of France, and the Goethe-Institut, Wellington

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